He immediately understands that Aman is trying to repay the obligations of himself and his parents through this sacrifice. With the passage of time, Aakash comes to know that Aman himself is Saagar and he loves Pooja too within his heart. Pooja starts loving Aakash but under the false impression of himself being her Saagar. When Aman comes to know of his love for Pooja, he decides to sacrifice his love to pay the obligations of his fostering family and he introduces Aakash to Pooja as Saagar. The story takes a twist when Aakash reaches Ooty and falls for Pooja upon the very first encounter. Gradually he also falls in love with her but without expressing his feelings to her. Pooja befriends him when he tells her that he knows Saagar personally and he promises her to manage her meeting with him. To take care of their new project of constructing a hotel in Ooty, Aman reaches there and comes across Pooja. Aakash, on the other hand, becomes a womaniser, not giving a damn for the real love. A middle class girl Pooja (Madhuri Dixit) who runs a book shop to make a living for herself and her mother Anjana Mumtaz in Ooty, becomes his fan and maintains contact with him through letters. He is a Shaayar (Urdu poet) and gets published under the pen name of Saagar. However Aman finds himself burdened by their obligations within his heart. Besides, Aakash also keep Aman's friendship above everything else in his life. Kader Khan and his wife, Reema adopt the handicapped orphan friend Aman (Sanjay Dutt) of their son Aakash (Salmaan Khan) and foster him like their own son, showering love upon him even more than their own son. I don't know whether the story idea was original or borrowed from somewhere else, however it worked excellently and built the premise of a sentimental love story in which the element of sacrifice becomes prominent between the two male protagonists who, by default, become the reluctant rivals of a girl's love. Though almost two decades have passed since its release, this movie still looks fresh and haunts after watching. Since then I have seen it a number of times on T.V. It was released on and I had seen it with my friend Sanjay Laddha in the Priya theatre of Kolkata (then Calcutta). However if I have to make a list of love-triangles made in bollywood, Saajan will be my numero uno in that list. A major chunk of the Indian movies are love stories and the idea of love triangle has also been hackneyed to the extent that now-a-days hardly any filmmaker must be pondering over it for his next venture.
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